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the Christians of the East; and the bride was forcibly conducted from the house of her parents to that of her husband. Our form of marriage requires, with less delicacy, the express and public consent of a virgin.] [Footnote 16: Zosimus, (l. v. p. 290,) Orosius, (l. vii. c. 37,) and the Chronicle of Marcellinus. Claudian (in Rufin. ii. 7-100) paints, in lively colors, the distress and guilt of the praefect.] The celestial gift, which Achilles obtained, and Alexander envied, of a poet worthy to celebrate the actions of heroes has been enjoyed by Stilicho, in a much higher degree than might have been expected from the declining state of genius, and of art. The muse of Claudian, [17] devoted to his service, was always prepared to stigmatize his adversaries, Rufinus, or Eutropius, with eternal infamy; or to paint, in the most splendid colors, the victories and virtues of a powerful benefactor. In the review of a period indifferently supplied with authentic materials, we cannot refuse to illustrate the annals of Honorius, from the invectives, or the panegyrics, of a contemporary writer; but as Claudian appears to have indulged the most ample privilege of a poet and a courtier, some criticism will be requisite to translate the language of fiction or exaggeration, into the truth and simplicity of historic prose. His silence concerning the family of Stilicho may be admitted as a proof, that his patron was neither able, nor desirous, to boast of a long series of illustrious progenitors; and the slight mention of his father, an officer of Barbarian cavalry in the service of Valens, seems to countenance the assertion, that the general, who so long commanded the armies of Rome, was descended from the savage and perfidious race of the Vandals. [18] If Stilicho had not possessed