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of beauty, the apple of discord. _9._ The incomparable statue of Helen, which is delineated by Nicetas in the words of admiration and love: her well-turned feet, snowy arms, rosy lips, bewitching smiles, swimming eyes, arched eyebrows, the harmony of her shape, the lightness of her drapery, and her flowing locks that waved in the wind; a beauty that might have moved her Barbarian destroyers to pity and remorse. _10._ The manly or divine form of Hercules, [96] as he was restored to life by the masterhand of Lysippus; of such magnitude, that his thumb was equal to his waist, his leg to the stature, of a common man: [97] his chest ample, his shoulders broad, his limbs strong and muscular, his hair curled, his aspect commanding. Without his bow, or quiver, or club, his lion's skin carelessly thrown over him, he was seated on an osier basket, his right leg and arm stretched to the utmost, his left knee bent, and supporting his elbow, his head reclining on his left hand, his countenance indignant and pensive. _11._ A colossal statue of Juno, which had once adorned her temple of Samos, the enormous head by four yoke of oxen was laboriously drawn to the palace. _12._ Another colossus, of Pallas or Minerva, thirty feet in height, and representing with admirable spirit the attributes and character of the martial maid. Before we accuse the Latins, it is just to remark, that this Pallas was destroyed after the first siege, by the fear and superstition of the Greeks themselves. [98] The other statues of brass which I have enumerated were broken and melted by the unfeeling avarice of the crusaders: the cost and labor were consumed in a moment; the soul of genius evaporated in smoke; and the remnant of base metal was coined into money for the payment of the troops. Bronze is not the most durable of monuments: from the marble forms of Phidias and Praxiteles, the Latins might turn aside with stupid