07 Dec




















as three persons, one venerable and one youthful, both wearing papal crowns, and each holding in his lips a tip of the wing of the dove, which thus seems to proceed from both and to be suspended between them. Nor was this the most complete development of the medieval idea. The Creator was sometimes represented with a single body, but with three faces, thus showing that Christian belief had in some pious minds gone through substantially the same cycle which an earlier form of belief had made ages before in India, when the Supreme Being was represented with one body but with the three faces of Brahma, Vishnu, and Siva. But at the beginning of the modern period the older view in its primitive Jewish form was impressed upon Christians by the most mighty genius in art the world has known; for in 1512, after four years of Titanic labour, Michael Angelo uncovered his frescoes within the vault of the Sistine Chapel. They had been executed by the command and under the sanction of the ruling Pope, Julius II, to represent the conception of Christian theology then dominant, and they remain to-day in all their majesty to show the highest point ever attained by the older thought upon the origin of the visible universe. In the midst of the expanse of heaven the Almighty Father--the first person of the Trinity--in human form, august and venerable, attended by angels and upborne by mighty winds, sweeps over the abyss, and, moving through successive compartments of the great vault, accomplishes the work of the creative days. With a simple gesture he divides the light from the darkness, rears on high the solid firmament, gathers together beneath it the seas, or summons into existence the sun, moon, and planets, and sets them circling about the earth.

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